The Sun Also Rises is a complicated book whose
sophistication lies in its simplicity with a writing style so bare and dry you
could shake dust off the pages. However, the dust is exactly what one is to
look for in this brilliantly written narrative for it is entirely up to the
reader to piece together the theme.
Jake Barnes
is a middleclass man who lives in Paris during the 1920's after WW1 rendered
him impotent. He spends a majority of his time relaxing and eating or relaxing
and eating with his friends. Friends such as Robert Cohn, a university graduate
who attempts rather halfheartedly to become a writer while spending his family
fortune on frequent and unnecessary traveling, and Bill Gorton, a peer of
Jake's who works in the newspaper who is rather amiable no matter who he's
with. Lastly for the beginning cast of characters is the Lady Brett Ashley, the
victim of an unfortunate economic marriage who finds solace in the arms of Jake
and many other weak-willed men though eventually settling for the “rich” Mike
Campbell. The novel really kicks off when Jake and Bill decide to travel to
Spain for a week to fish and watch the bullfights. Robert Cohn tags along, but
not before spending a week alone with Brett for undisclosed yet obvious
reasons. After a week of relative solace in the Spanish countryside Bill and
Jake meet up with Robert, Brett, and Mike in Pamplona. After a couple days of
lounging it becomes apparent that Robert has become quite attached to Brett
much to Mike's chagrin and eventually results in a fistfight that knocks Jake
out cold simply for bystanding. When the bullfights begin there is a brave, new
matador on the scene named Pedro Romero who moves bulls like the ocean coils
waves, with no more force than needed for the elegance of the act. Brett
is instantly enthralled by his charming looks and chivalrous demeanor,
eventually bedding him and eloping in the span of a couple days. A few months
after the tumultuous events in Pamplona Jake meets up with Brett in Madrid only
to learn that she has left Pedro and intends to return to Mike just as she did
in the beginning, thus ending only where she began at the start of the novel.
Obviously The
Sun Also Rises (TSAR) has war themes, Brett's promiscuity, Jake's
impotence, and the entire group's frivolous lifestyle being the apparent
caricatures. But I believe that there is a deeper theme, one also befitting the
Lost Generation. Throughout the entire novel there is almost never a moment
when someone isn't eating something it's as if there's a feedbag strapped to
their wallets. However, I think this is a symbol; in the same way that watching
bullfights is a symbol, in the same way that week long fiestas and midnight
hookups are a symbol. Symbols that indicate that the tangibility of life does
not necessarily allow it to flourish. Jake and his crew indulge themselves in
one bit of entertainment after another but it does absolutely NOTHING at all to
heal their personal shortcomings. Conflict rises and falls like the prow of a
boat guided only by the general emotion of the group, in the entire book no
one's feeling is ever directly addressed whilst in public. All the character
growth is done away from the party or off the page, in fact the greatest source
of relaxation and personal growth in Jake was when he went fishing with Bill,
nearly isolated form society! What Hemingway is trying to communicate is that
drowning ourselves in the material does nothing to aid our psychological and
emotional issues and that the problem with modern society is its excessive
encouragement of consumerism that promises to do exactly that which Hemingway
disagrees with.
All in all The Sun Also Rises is a motivating look
that takes an interesting stance on issues of human progression. The syntax is
flawless communicating simultaneously nothing and everything about the
characters. His style is reminiscent of an advertisement, giving the viewer a
quick and simplistic idea of the product with a whole other meaning behind the
canvas. I do hope to read more of Mr. Hemingway’s work in the future.
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